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JOSE TOMAS-UN TORERO DE LEYENDA |
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Sometime in July I received
a package that I was not expecting. I opened it with some curiosity since I did
not have any idea of what the contents were, and I was surprised to find the
book JOSE TOMAS-UN TORERO DE LEYENDA by Carlos Abella. Yet my surprise was
even greater when, upon opening the book, I read these words handwritten by the
author: “To Mario Carrión, matador de toros, Sevillano by birth and
North American by adoption. Un abrazo, Carlos Abella 3-5-8”
The publication
of José Tomás‘ biography in May 2008 could not have been more opportune, since the
taurine public, in spite of the existing saturation of news about this maestro,
was eager to know even more about the professional and private life of this
successful, charismatic and enigmatic matador. So, motivated to learn more
about this phenomenal torero, I could not suppress my curiosity and, after
reading Abella’s nice words about me, I continued to read without stopping
until I reached page 358, where the book ends.
JOSE TOMAS-UN TORERO DE LEYENDA contains extensive information about the
professional life of the matador from
Galapagar.
It narrates his career in the bullrings from the very first time he performed
in a festival in Spain in the small town of Colmenarejo near Madrid, on June
25, 1989, until the corrida that he fought in Bogota, Colombia, on February 10,
2008, before starting his European campaign in April. All the types of data and
statistics related to the performances of José Tomás also appear in the text.
Therefore any reader, after reading this biography, could be sure that the
author has dealt with and analyzed everything important concerning the
professional life of this outstanding torero. On the other hand, the book reveals very little about anything having
to do with the personal and private life of
José Tomás, such as his thoughts and plans about his toreo, his feelings, desires, goals, habits, hobbies or
interpersonal or family relations.
The lack of
inclusion in the text of any personal comments expressed by the matador about
his career, his toreo or his personal matters should not be a surprise after
reading the introduction of the book, where the author claims that he had not
sat down personally with José Tomás to interview him in depth. Furthermore,
Abella subtly implies that the matador has contributed very little first hand
information for his biography. He illustrates this point by mentioning that a
few years ago when he wrote biographies of retired matadors Luis Miguel
Dominguín and Paco Camino, he had several long chats with each one of them, in
which both matadors talked about their professional and personal lives, and
freely expressed their feelings. Abella adds that Dominguín and Camino were so
open that he used discretion in his writing in order to avoid divulging some of
the most intimate details that they had revealed to him. I quote what Abella
says in his introduction:
A few months ago, after handling the corrected
draft of my book DE MANOLETE A JOSE TOMAS, my
editor at Alianza Editorial proposed that I write a biography of José
Tomás. Of course, I immediately answered affirmatively, but I also immediately
realized how difficult it would be to get in contact with José Tomás and to
have access to his words, his thoughts, his presence, which would facilitate
the narration of his professional life.
Of course, I was not planning to get into other aspects of his life as
is often is done for financial benefits when writing a biography of a public
figure,
Since the author was correct in foreseeing the difficulties
he would encounter in obtaining access to the subject of his work, he later in
the introduction explains the method that he used for doing the research for
his book. He wrote:
When I decided to write the biography of José Tomás, I opted for talking
with people who had had dealings with him, with whom he had shared different
steps of his professional life, and I counted on the help of different persons
whose names appear listed in the acknowledgments section. Once I was well
informed, it was necessary to access the torero himself. But by March 10, 2008
contact the matador had not been possible with the intensity and continuity
that I would have desired. When I started the book, José Tomás was flying to
Mexico…And when he returned, well into the month of February, there was no
opportunity for us to meet.
In order to
compensate for the lack of direct communication with the matador, Abella
gathered information from persons who are or had been in regular contact with
José Tomás, such as his father, his professional tailor, Carlos Julio López
Jiménez, his two first managers
, Antonio Corbacho and Santiago López.
Nevertheless, the data provided by those contacts was related mainly to taurine
matters, and it revealed very little about the personality and psychological
makeup of the torero, and much less about his private life.
If a biography
shows very little of the personality of the subject, what does the reader stand
to gain by reading it? In this case, he learns every minute detail of the
career of José Tomás, from when he took his first step in the arena until he
fought his last corrida in America before he started his 2008 campaign in
Barcelona. Also, the reader is exposed to the thorough analyses, based on
exhaustive investigations, and the judgment that Abella makes of the classical
tauromaquia of this exceptional torero.
The book
contains a prologue (pages 9-13), twelve chapters, which form the main body of
the work (pages 13-286), an annex with statistics (pages 287-352), a brief
epilogue (pages. 253-256) and a bibliography (pages 357-358).
In the Prologue
the author states his goals and the method he has used to reach them. Later in
the first chapter he introduces José Tomás as a legendary torero and analyzes his bullfighting style. Abella favorably
compares José Tomás personal manner of interpreting bullfighting with the
styles of other star matadors with whom he competes in the rings. The author
especially emphasizes the differences between José Tomás and Ponce who, regarding Abella, is a less profound torero.
The author is very frank and open in stating his preference by claiming that:
This a book is favorable to José Tomás
because I believe that he is an outstanding
human being, because is a personality relevant in the Spanish life, and
because he is one of the more important
toreros of all time.
The following twelve chapters chronologically narrate and
present the detailed career of José Tomás starting with his first public
performance up until his fight in Bogota, before beginning his 2008 campaign in
Spain, as the title of each chapter denotes: From Galapagar to México, The Mexican Aventure,
Back in Spain, In Mexico Again, The Confirmation of His Alternativa, Another
Bloody Summer, Enrique Martín Arranz, The War with Television, José Tomás
Becomes Disillusioned
and Retires, The Local Exile of José Tomás, The Triumphant Return, and In Mexico Once Again.
Abella introduces a
specific topic at the beginning of each chapter. Then, he discusses the special
circumstances related to that moment and he states his opinions about the
topic. The author supports his points of view with a variety of complete or
partial quotes from the writings of other authors or critics who, in general
terms concur with his opinions. He unifies those quotes by interjecting
paragraphs expanding or clarifying the matter being discussed. In this regard
Abella’s skill for investigating and accumulating material that agrees with his
criteria is admirable, as well as the manner in which he places this material
in a logical and chronological order. At the same time, the inclusion of so
many long quotes that fill a considerable amount of space in the book could
also be criticized, since it would have been preferable that the author would
have provided similar information directly by means of his excellent, clear and
authoritative prose.
As I stated above,
the great majority of authors being quoted highly praise José Tomás.
Nevertheless, there are some exceptions, the most obvious being the several
quotes of the writings of the controversial critic José Antonio del Moral. This
journalist is well known for mercilessly and frequently criticizing the torero
from Galapagar. Abella repeatedly uses Del Moral’s negative opinions of José
Tomás contrasting them with the many laudatory write-ups appearing in the text,
to illustrate, regarding Abella, the baseless negative criticisms that José
Tomás receives from a certain sector of the press.
In
the text,
in addition to the narration of the accomplishments of José Tomás in
the bullrings, other topics are discussed that add spice to the material. Those
topics give some insight to the personality of the torero. Among others they
deal with the reason José Tomás as a novillero decided to fight in Mexico and
the clashes he had there with his mentor, Antonio Corbacho, which resulted in the termination of their
friendly relationship; why the torero decided to take the alternativa in Mexico
instead of in Spain; the manipulations of Victoriano Valencia, the then-manager of “El Juli”,
to keep José Tomás off of some important cartels; the conflict with his two
first managers Antonio
Corbacho and Santiago López; the problems José Tomás had with some impresarios for his
boycotting any corrida being televised when he was managed by the controversial
Enrique Arranz; comments about the conflictive competition with Ponce, or about
the deteriorating and cold relationships that the matador had with his
relatives the bull breeders Victorino Martín and his son.
For those interested in the
quantitative data of the career of José Tomás they can find a lot more
information
in the section Anexo estadístico than is usually found in
the traditional ‘escalafones’ published in the press and posted on the taurine
Webpages at the end of each taurine season. Here, in addition to that
information, the number of performances the torero had at each European or
Latin American bullring during his entire career is listed, as well as the
number of times he performed with other retired or active matadors; the brand
of the ranch of each of the 789 bulls he fought in Europe; the number of
gorings he suffered and where they occurred; plus many other special measurable
details. For example, one finds that “Joselito” is the matador with whom José
Tomás has shared most cartels, in 90 corridas, followed by Ponce with 65; and
that José Tomás performed 19 times in the bullring of Barcelona, more times
than in any other bullring, and 17 in the Plaza Las Ventas in Madrid, while in
Seville he only fought in 9 occasions, 5 en Pamplona and 4 in Bilbao.
At the conclusion of the
reading of any book, the best thing one can say is that one has learned
something new, and that in the process the reading has been pleasurable. Well,
upon closing the biography JOSE TOMAS. UN TORERO DE LEYENDA by Carlos Abella, and although I would like to have
learned more about the personality of the intriguing torero, I can say with
certainty that those two premises were adequately met.
I recommend this book to any
aficionado interested in José Tomás, since within its pages he will find
material to discuss, and express opinions with more authority and knowledge in
pro or against the matador from Galapagar... who is now the subject of most
taurine chats.
(Note: Two of the extensive quotes in JOSE TOMAS.
UN TORERO DE LEYENDA were taken from two articles written by Mexican
critic Gastón Ramírez, which were published in my Webpage MI MUNDO
DEL TOREO-MY BULLFIGHTING WORLD)
Pictures by Muriel Feiner